Sunday, July 9, 2017

Iridium July 7th, 2017: A Celebration of the Life and Music of Allan Holdsworth

     On July 7th, 2017, I attended the 3rd and last night of the “Tribute to Allan Holdsworth” at the Iridium club in New York City.  Allan was scheduled to play from July 5-7, but after his unexpected passing the dates were re-purposed into a 3-night tribute to Allan’s songs featuring Allan’s final live band supporting several guest guitarists (most of whom who had worked with Allan in some capacity or been deeply inspired by him). 

Virgil Donati, Evan Marien
     Drummer Virgil Donati (“Planet X”) more or less MC’d the evening, with the remaining rhythm section consisting of keyboardist Steve Hunt (member of Allan’s '90s "Secrets" to "Hard Hat Area" band) and EDM/fusion bassist Evan Marien (“EMAR”). The atmosphere in the full house was very reverent, but at the same time celebratory.  I was pleased at the huge turnout despite the absence of the 'main man' himself, which attests to the legacy of the Holdsworth songbook.  Of course, having a fantastic line up of nine of the best musicians on the planet performing at the top of their game and interpreting the most advanced jazz book of the 21st Century didn’t hurt either. 

     The first night of this Holdsworth musical-portrait triptych had Allan’s longtime bassist Jimmy Johnson guesting (which I sadly missed), but this final night had Allan’s daughters (Lynne, Louise and Emily) in attendance, which also made the evening very special to the players, I’m sure.  No doubt Allan was in the crowd in spirit, looking on with great satisfaction and awe at how music was being carried forward.

Nir Felder, Virgil Donati
     The first two songs, “Mr. Spock” (from Tony Williams Lifetime album “Believe It”) and “Non-Brewed Condiment” (from “Atavachron”), featured Nir Felder on guitar, playing a sunburst Stratocaster and employing a clear, clean tone for his solos.  Nir is relatively new on the scene, but has been hailed as one of the bright new lights in jazz guitar of the last few years, with his debut album “Golden Age” released in 2010 on Sony/Okeh (and a new album expected shortly).  The highlights of these first couple numbers included Donati’s drum solo/guitar vamp on “Spock”, and Felder’s solos, which were perfect examples of blowing through Holdsworthian song changes but retaining one's own guitar style (which all of the players essentially did, but Nir’s opening leads clearly put a flag in the ground). Steve Hunt also contributed classic electric piano and synth solos to these songs, employing a breath-controller on the synth sometimes.  As the “senior” member of the group, Hunt provided a solid link to Allan’s songs from the previous millennium.

Alex Machacek
     After “Non-Brewed Condiment”, Felder left the stage and Alex Machacek appeared.  Machacek hails from Austria, and his style has also been inspired by Allan’s playing.  Besides his solo albums (“[Sic]”, etc...], Machacek has also performed with Allan’s former U.K. band-mate Eddie Jobson, as well as Donati.  Machacek was tonight featured in “Material Real” (from “Road Games”) and “Looking Glass” (“Atavachron”), with the volume swell intro to “Material” being faithfully reproduced by Alex, and the melody line carried by Steve Hunt’s keys and vocals. Hunt then presented his rendition of the intro to “Mr. Berwell”, followed by the full band on “Looking Glass” which featured a burning solo by Alex. 

Tim Miller
     Tim Miller (renowned guitar mentor and featured on the Tim Miller Trio (and Trio Volume 2) then appeared and performed passionate versions of “Texas” (from "The Sixteen Men of Tain") and “Pud Wud” ("Sand").  His tone on this first set seemed a bit under-mixed (from my seat, anyways), so it was sometimes hard to hear every articulation, but his sound soared in the second set (described later).  In any case he navigated the songs in his own style, honoring the compositions’ thorny harmonies and rhythms, but putting his own stamp on them.  “Pud Wud” also featured a brilliant solo from Evan Marien, who blew through the changes with melodic brilliance.

Alex Skolnick, Virgil Donati
     Next up was Testament guitarist Alex Skolnick (also with heavy credentials in the jazz-fusion/global music world with The Alex Skolnick Trio, Stu Hamm/Chad Wackerman, Jane Getter Premonition, etc).  He opened with a hard-hitting version of “Red Alert” (Lifetime “Believe It”) and a snarling solo flight.  Afterwards, vocalist Irwin Thomas (Donati band-mate) joined Skolnick and the rest with a rendition of “Metal Fatigue” which brought the house down (in this case Skolnick respectfully based his solo mostly on Allan's melodic album take). 

Set 1
  • Mr. Spock (w. Nir Felder)
  • Non-Brewed Condiment (w. Nir Felder)
  • Material Real (w. Alex Machacek)
  • Mr. Berwell (Steve Hunt solo)
  • Looking Glass (w. Alex Machacek)
  • Texas (w. Tim Miller)
  • Pud Wud (w. Tim Miller)
  • Red Alert (w. Alex Skolnick)
  • Metal Fatigue (w. Alex Skolnick, Irwin Thomas)
     After a short break, the second set followed, and down below are some brief notes on the proceedings.  A notable guest on the second set was guitarist Jamie Glaser, who had just come off of touring with Allan’s old collaborator Jean-Luc Ponty.  His duet with Steve Hunt on “Norwegian Wood” (a Beatles tune covered by Allan on “None Too Soon”) was possibly the emotional high-point of the second set.

Jamie Glaser, Steve Hunt: "Norwegian Wood"
Set 2
  • "Devil Take the Hindmost" (off "Metal Fatigue", here w. Alex Machacek): Most of Alex's excellent solo employed a harmonizer, which worked very well for this pedal blowing tune.
  • "The Sixteen Men of Tain" (here w. Alex Machacek, who told a funny story about the notorious photograph of him passed out with Allan pointing at him)
  • "White Line" ("I.O.U.", here w. Tim Miller): Tim’s sound was better in the 2nd set, and it seemed to me that he was also more at ease.
  • "Above and Below" ("The Sixteen Men of Tain", here w. Tim Miller): Tim delivered a beautiful rendition of the intro, with Steve taking the solo.
  • "Letters of Marque" ("I.O.U.", here w. Alex Skolnick): Killer solo, just fantastic – probably my favorite of the entire evening. He later accidentally came in a bit early before Virgil’s solo spot was done, but Virgil powered on with exclamation marks (it was a live concert, folks).
  • "Proto-Cosmos" (Tony Williams Lifetime, "Believe It", w. Alex Skolnick): Skolnick began his solo in this tune with a cleaner guitar tone, but soon ramped up to some high-gain shredding.
  • "Fred" (Tony Williams Lifetime, "Believe It", w. Nir Felder)
  • "Water on the Brain" ("Road Games", w. Nir Felder)
  • "Funnels", "Dodgy Boat" ("Atavachron", "Wardenclyffe Tower", Steve Hunt Solo)
  • "Norwegian Wood" ("None Too Soon", Jamie Glaser & Steve Hunt): Jamie Glaser and Steve Hunt do a duo improvisation navigating a jazz version of this classic Lennon/McCartney tune – very emotional and heart-felt playing from both. Not a pin drop could be heard (at least until Virgil Donati joined them, taking things to another level near the end!).
  • "Metal Fatigue" (w. Jamie Glaser, Alex Skolnick, Irwin Thomas): A repeat from the first set, but this time with Glaser and Skolnick on double guitar duties.  Frankly epic.
Alex Skolnick, Jamie Glaser, Irwin Thomas
     Final thoughts: Allan’s presence was obviously missed by all (both sonically and personally), but this 3 hour concert of concentrated musical dialogue was a huge success as far as honoring Allan’s legacy and firmly introducing his compositions into the jazz repertoire.  It was clear that these tunes are among the most difficult (harmonically and rhythmically) ever presented to an improvising musician, but it also reminded me of stories of the challenges encountered when Coltrane’s “Giant Steps” and Stravinsky’s “Rite of Spring” were first presented ("Eruption", etc...).  Nowadays, those pieces are firmly entrenched among the classics and are popular among the more adventurous improvisors and orchestras of today, both in class and on stage.  One can expect classic Holdsworth tunes to be similarly absorbed into the fabric of modern music in the future (hopefully!).
"The Chaps", missing Machacek (sorry Alex!)
Photos: Motoko Shimizu and Ed Chang

Many more photos (as well as a couple brief video clips of Skolnick's "Metal Fatigue" and Machacek's "Devil Take the Hindmost") can be seen here.

7 comments:

  1. Thanks Ed for taking the time to put together such a detailed and great post. Means a lot to those of us out west that can't make these kind of shows.

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    1. My pleasure! I doubt I'll be able to make the California shows (if there are any) so hopefully someone else will pick up the pen...

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  2. I was fortunate enough to see all three nights. 6 sets :-) thanks for great article.

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  3. thank you . This was an amazing musical and spiritual experience. Great article!!

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  4. Its amazing that another guitarist hasfigured out funnels chordal phrasing! Can't wait for the west coast shows

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